Broader Reading | Senior Fiction

In this remarkable debut based on actual events, as a team of male scholars compiles the first Oxford English Dictionary, one of their daughters decides to collect the "objectionable" words they omit. Esme is born into a world of words. She spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip, and when she learns that the word means "slave girl," she begins to collect other words that have been discarded or neglected by the dictionary men. Set during the height of the women's suffrage movement and with the Great War looming. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story.

Late in the night, fourteen-year-old Sam Watson steps onto a quiet overpass, climbs over the rail and looks down at the road far below. At the other end of the same bridge, an old man, Vic, smokes his last cigarette. The two see each other across the void. A fateful connection is made, and an unlikely friendship blooms. Slowly, we learn what led Sam and Vic to the bridge that night. Bonded by their suffering, each privately commits to the impossible task of saving the other.

Sixteen-year-old Sofie is a dreamer, an artist and a romantic. So when she goes on exchange to Paris, she is expecting magnificent adventures of the heart and mind. Yet France isn't what she imagined. It's cold and grey, and she finds speaking another language exhausting. Sofie's more homesick than lovesick.But then her host sister, Delphine, and fellow artist Olivier show her a different side of Paris, and Sofie starts to question her ideas of art, beauty and meaning. Of everything.

Victorian Premier’s Literary Awards 2021 - Highly commended young adult writing.

She said we didn't know what the world out there had become. We had been alone there so long on that tiny island, in that tiny church. But in the night, I couldn't bear it. My chest beat like wings. Identical twin sisters Summer and Winter live alone on a remote island, sheltered from a destroyed world. They survive on rations stockpiled by their father and spend their days deep in their mother's collection of classic literature--until a mysterious stranger upends their carefully constructed reality. At first, Edward is a welcome distraction. But who is he really, and why has he come? As love blooms and the world stops spinning, the secrets of the girls' past begin to unravel and escape is the only option.

Victorian Premier’s Literary Awards 2021 – Nonfiction shortlist

Delving deep into the Australian landscape and the environmental challenges we face, Fire Country is a powerful account from Indigenous land management expert Victor Steffensen on how the revival of cultural burning practices, and improved 'reading' of country, could help to restore our land.

Victorian Premier’s Literary Awards 2021 - Highly commended young adult writing
Eighteen-year-old art student Susan Arkshaw arrives in London in search of her father. But before she can question crime boss Frank Thringley he's turned to dust by the prick of a silver hatpin in the hands of the outrageously attractive Merlin. Merlin is one of the youngest members of a secret society of booksellers with magical powers who police the mythic Old World wherever it impinges on the New World - in addition to running several bookshops, of course!

Victorian Premier’s Literary Awards 2021, Prize for Young Adult Writing

When her mother dies, Dylan struggles to find her identity. An outback road-trip with her mum's grieving boyfriend sees an unlikely bond develop. But it won't last... Dylan dreams of sailing across the ocean to France with her mother. Paris, Dylan imagines, is a place where her black skin won't make her stand out, a place where she might feel she belongs. When she loses her mother in a freak accident, Dylan finds herself on a very different journey: a road trip across the Australian outback in the care of her mother's grieving boyfriend, Pat. As they pass through remote towns further and further from the water Dylan longs for, she and Pat form an unlikely bond: a bond that will be broken when Pat leaves Dylan with a family she has never known. Metal Fish, Falling Snow is about a young girl's search for an identity as she navigates unthinkable grief. A warm, funny, and original look at families lost and found, this Own Voices novel celebrates the resilience of the human heart and the meaning of home.

Victorian Premier’s Literary Awards 2021 - Fiction shortlist

"Our Shadows tells the story of three generations of family living in Kalgoorlie, where gold was discovered in 1893 by an Irish-born prospector named Paddy Hannan, whose own history weaves in and out of this beguiling novel. Sisters Nell and Frances were raised by their grandparents and were once closely bound by reading and fantasy. Now they live in Sydney and are estranged. Each in her own way struggles with the loss of their parents. Little by little the sisters grow to understand the imaginative force of the past and the legacy of their shared orphanhood. Then Frances decides to make a journey home to the goldfields to explore what lies hidden and unspoken in their lives, in the shadowy tunnels of the past."

Victorian Premiers Literary Awards 2021 - Shortlisted for Indigenous Writing

"Darnmoor, The Gateway to Happiness. The sign taunts a fool into feeling some sense of achievement, some kind of end - that you have reached a destination in the very least. Yet as the sign states, Darnmoor is merely a gateway, a waypoint on the road to where you really want to be. Darnmoor is the home of the Billymil family, three generations who have lived in this 'gateway town'. Race relations between Indigenous and settler families are fraught, though the rigid status quo is upheld through threats and soft power rather than the overt violence of yesteryear. As progress marches forwards, Darnmoor and its surrounds undergo rapid social and environmental changes, but as some things change, some stay exactly the same.

Victorian Premier’s Literary Awards 2021 - Prize for Indigenous Writing

There are many Australian stories, and mine is just one about what happened to me and other First Peoples of this country. It's important for me to tell my story - because it's not just part of my healing but of this country's as well. We all have a story and as you read this book I would like you to think of your own story, what that means and who is also a part of your story.' In his inspirational, highly acclaimed memoir- and including reflectionsfrom First Nations Elders and young people -Archie Roach tells the story of his life and his music. Only two when he was forcibly removed from his family, and brought up by a series of foster parents until his early teens, Archie's world imploded when he received a letter that spoke of a life he had no memory of.It took him almost a lifetime to find out who he really was. Tell Me Whyis an unforgettable story of resilience, strength of spirit and hope.

Victorian Premier’s Literary Awards 2021 - Writing for Young Adults shortlist

"Seventeen-year-old Anna is running into the night. Fleeing her boyfriend, her mother, and everything she has known. She is travelling into the country, to the land and the grandparents she has never met, looking for answers to questions that have never been asked. For every family has secrets. But some secrets - once laid bare - can never be forgiven."

After a decade in Europe August Gondiwindi returns to Australia for the funeral of her much-loved grandfather, Albert, at Prosperous House, her only real home and also a place of great grief and devastation. Leading up to his death Poppy Gondiwindi has been compiling a dictionary of the language he was forbidden from speaking after being sent to Prosperous House as a child. Poppy was the family storyteller and August is desperate to find the precious book that he had spent his last energies compiling. The Yield, in exquisite prose, carefully and delicately wrestles with questions of environmental degradation, pre-white contact agriculture, theft of language and culture, water, religion and consumption within the realm of a family mourning the death of a beloved man.

The yield in English is the reaping, the things that man can take from the land. In the language of the Wiradjuri yield is the things you give to, the movement, the space between things: baayanha. Knowing that he will soon die, Albert 'Poppy' Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind. August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather's death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land - a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river. Profoundly moving and exquisitely written, Tara June Winch's The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

The yield in English is the reaping, the things that man can take from the land. In the language of the Wiradjuri yield is the things you give to, the movement, the space between things: baayanha. Knowing that he will soon die, Albert 'Poppy' Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind. August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather's death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land - a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river. Profoundly moving and exquisitely written, Tara June Winch's The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

A dangerous man moves in with a mother and her two adolescent children. The man runs an unlicensed mechanic’s workshop at the back of their property. The girl resists the man with silence, and finally with sabotage. She fights him at the place where she believes his heart lives—in the engine of the car. Set at the close of the 1970s and traversing thousands of kilometres of inland roads, Exploded View is a revelatory interrogation of Australian girlhood. Must a girl always be a part—how can she become a whole?

Helen and John are too preoccupied with making a mess of their marriage to notice the quiet ways in which their daughters are suffering. Junie grows up brittle and defensive, Anna difficult and rebellious. When fifteen-year-old Anna fails to come home one night, her mother's not too worried; Anna's taken off before but always returned. Helen waits three days to report her disappearance. But this time Anna doesn't come back.

A story that takes us to the heart of contemporary Australia’s festering relationship to its indigenous past. A story about guilt for acts which precede us, crimes we are not sure we have committed, crimes gone on so long they now seem criminal- less. Part crime novel, part road movie, part love story, No One takes its protagonist to the very heart of a nation where non-existence is the true existence, where crimes cannot be resolved and guilt cannot be redeemed, and no one knows what to do with ghosts that are real.

The Returns is a story about the eccentricities, failings and small triumphs that humans are capable of, a novel that pokes fun at literary and artistic pretensions, while celebrating the expansiveness of art, kindness and friendship.

Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.

Girl, Woman, Other is a celebration of the diversity of Black British experience. Moving, hopeful, and inventive, this extraordinary novel is a vivid portrait of the state of contemporary Britain and the legacy of Britain's colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, works hard to earn a degree from Oxford and becomes an investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative and fast-moving form that borrows from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that reminds us of everything that connects us to our neighbors, even in times when we are encouraged to be split apart.

Girl, Woman, Other is a celebration of the diversity of Black British experience. Moving, hopeful, and inventive, this extraordinary novel is a vivid portrait of the state of contemporary Britain and the legacy of Britain's colonial history in Africa and the Caribbean. The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, works hard to earn a degree from Oxford and becomes an investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class. Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative and fast-moving form that borrows from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that reminds us of everything that connects us to our neighbors, even in times when we are encouraged to be split apart.