Germany 1918 –1939: Art & culture

"MoMA's teen-led Digital Advisory Board talks to assistant curator, Samantha Friedman, about what defines the artistic and literary movement, Dada." (Friedman, 2016)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Friedman (2016) or (Friedman, 2016)
Bibliography / Reference list: Friedman, S., (2016). What is Dada? by MoMA Teens, [eVideo]. The Museum of Modern Art. Retrieved from https://youtu.be/X29dPzJIMbA

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Smarthistory (2011) or (Smarthistory, 2011)
Bibliography / Reference list: Smarthistory, (2011). Hannah Höch, Cut with the Kitchen Knife, 1919-20, [eVideo]. Smarthistory. Retrieved from https://youtu.be/9E1cA3j_xY8

"Bauhaus was a totally different type of art school, training students in many art and design disciplines, with the ultimate aim of unifying art, craft, and technology." (Open University, 2013)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Open University (2013) or (Open University, 2013)
Bibliography / Reference list: Open University, (2013). Bauhaus: Design in a Nutshell, [eVideo]. Open University. Retrieved from https://youtu.be/ZQa0BajKB4Q

"Ernst Ludwig Kirchner, Street, Dresden, oil on canvas, 1908 (MoMA) Speakers: Dr. Juliana Kreinik, Dr. Steven Zucker, Dr. Beth Harris." (Kreinik, Laird & Harris, 2009)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Kreinik, Laird & Harris (2009) or (Kreinik, Laird & Harris, 2009)
Bibliography / Reference list: Kreinik, J. Laird, C. & Harris, B.,(2009). Kirchner, Street, Dresden, [eVideo]. Smarthistory. Retrieved from https://youtu.be/zfZu--psur8

"Max Ernst is often described in textbooks as a key Dada or Surrealist artist, but throughout his long career, he worked across many mediums transforming everyday images into visionary dreamscapes. MoMA curator Anne Umland explores his life and works as a painter, sculptor, collage maker and poet in MoMA's exhibition, “Max Ernst: Beyond Painting.”" (Umland, 2017)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Umland (2017) or (Umland, 2017)
Bibliography / Reference list: Umland, A., (2017). Max Ernst | HOW TO SEE the artist with MoMA curator Anne Umland, [eVideo]. The Museum of Modern Art. Retrieved from https://youtu.be/sWAzhHQKX5c

"The inspiration behind and work produced by the German expressionists is discussed and shown in this short series of films based around the works [displayed] at Leicester’s New Walk Museum and Art Gallery’s Collection. Otto Dix (1891-1969) studied in Dresden from 1910-1914 and was a painter of wall-decorations until he taught himself painting. Like many artists, Dix was initially enthusiastic when the First World War broke out and was a soldier throughout the war. During this time Dix, who soon discovered the brutality of war, produced numerous war drawings. Dix had returned from the war for less than 2 years when he made this etching entitled “Match Seller” which is discussed here, one of a series called 5 Radierungen (5 Etchings), which show groups of disabled ex-soldiers, often with devastating injuries or psychological damage." (Leicester Museums, 2014)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Leicester Museums (2014) or (Leicester Museums, 2014)
Bibliography / Reference list: Leicester Museums, (2014). Leicester German Expressionist Artists - Otto Dix, [eVideo]. Leicester Museums. Retrieved from https://youtu.be/ooWTsCRVSMQ

"No other 20th-century artist dealt as intensively or as strongly with the First World War than Otto Dix (1891--1969). His shockingly realistic depictions of wounded and dead soldiers in the trenches have been imprinted in our collective memory. The huge triptych "Der Krieg" ("War", 1929--1932), hanging in the Galerie Neue Meister, is one of the key works of German realist painting from the 20th century. In the style of an Old Master, the four panels reveal the "great seminal catastrophe of the 20th century", showing troops setting off at daybreak (left panel), the battlefield as a place of death (central panel), soldiers returning from the hell of battle (right panel) and fallen soldiers resting in peace in a dugout (predella)." (Staatliche Kunstsammlungen Dresden, 2014)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Staatliche Kunstsammlungen Dresden (2014) or (Staatliche Kunstsammlungen Dresden, 2014)
Bibliography / Reference list: Staatliche Kunstsammlungen Dresden, (2014). Otto Dix. DER KRIEG ("WAR") The Dresden Triptych, [eVideo]. Staatliche Kunstsammlungen Dresden. Retrieved from https://youtu.be/9PXVzuI0Gtk

"Otto Dix, Portrait of the Journalist Sylvia von Harden, 1926 (Musée National d'Art Moderne, Centre Georges Pompidou, Paris) Speakers: Dr. Juliana Kreinik, Chad Laird" (Kreinik & Laird, 2009)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Kreinik & Laird (2009) or (Kreinik & Laird, 2009)
Bibliography / Reference list: Kreinik, J. & Laird, C., (2009). Dix, Portrait of the Journalist Sylvia von Harden, [eVideo]. Smarthistory. Retrieved from https://youtu.be/sHkZWu9tgpw

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Lang, (1927) or (Lang, 1927)
Bibliography / Reference list: Lang, F., (1927). 'Fritz Lang's The Complete Metropolis - Theatrical Trailer, [eVideo]. KinoInternational. Retrieved from https://youtu.be/9VxgQN2GfMY

"An exhibit called 'Degenerate Art'... at the Neue Galerie in New York offers a new look at the assault on modern art by the Nazis. The exhibit juxtaposes the classical 19th century paintings and sculptures that Hitler loved and accepted, with the abstract modern art that he hated and labeled "degenerate."" (PBS NewsHour, 2014)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: PBS NewsHour (2014) or (PBS NewsHour, 2014)
Bibliography / Reference list: PBS NewsHour, (2014). 'Degenerate Art' exhibit explores Nazi assault on modern art, [eVideo]. PBS NewsHour. Retrieved from https://youtu.be/xmyynpSHx_4

Paul Troost's the House of (German) Art, 1933-37 is discussed in relation to the Great Exhibition of German Art and the Entartete Kunst Exhibitions of 1937 in Munich. The House of German Art now exhibits international contemporary art in direct opposition to the original National Socialist intent. (Harris & Zucker, 2012)

Source

When using this video don't forget to cite and reference your sources. For more information and help see the Kerferd Library referencing guide and / or CiteMaker.
In text reference / citation: Harris & Zucker (2012) or (Harris & Zucker, 2012)
Bibliography / Reference list: Harris & Zucker, (2012). Troost, House of German Art and the Entartete Kunst exhibition, [eVideo]. Smarthistory. Retrieved from https://youtu.be/hpY22uSAPAA